Trans-Siberian Arts Centre
Feature Five
Week Six
Grid No. 3
Marina Visic (CRO)
Based in Netherlands, Visic works within an ambivalence between the sensate world and
formal minimalism. With an obsession for geometric pattern and modern architecture, her
painted, drawn and photographic works evoke an undulating relativity between what is felt
and measured in the world.
Mark McCullough (UK)
Based in London, McCullough's practice revolves around the exploitative possibilities
of photographic processes. Using sculpture in conjunction with his pursuit to "exaggerate
the flattening qualities inherent in photography", McCullough looks to bring the notion
of the 'photograhic object' into question.
Pukatja
Amanda Brown (AUS)
Based in Western Australia, Brown uses a variety of photographic media to explore the identities
of the environments she encounters by travelling to remote communities such as 'Pukatja' which
borders South Australia and the Northern Territory.
Green Grass
Kate Hill (AUS)
Currently based in Melbourne, Hill's works are a fresh take on traditional print processes.
She was recently awarded a Highly Commended prize at the Port Jackson Australia
Graduate Print Award 2011.
Connected
Benjamin Fox (UK)
Working across sculpture, video, photography and animation, Fox's practice has a distinctly
theatrical sensibility. Based in London, Fox uses this collage of elements to explore the
adaptation of humans in urban environments
theatrical sensibility. Based in London, Fox uses this collage of elements to explore the
adaptation of humans in urban environments
Kuna Yala Climate Change Refugees (Panama 2010)
Francesco Vicenzi (ITA)
Currently based in Melbourne, Vicenzi's works are as far reaching as the travel he undertakes
to capture his subjects. With a strong sensibility for the ever-changing world, it is Vicenzi's political
and cultural snapshots that seize a particularly arresting candor in his subjects.
to capture his subjects. With a strong sensibility for the ever-changing world, it is Vicenzi's political
and cultural snapshots that seize a particularly arresting candor in his subjects.
